Mild High Club is the psychedelic project of Alex Brettin, based originally from Chicago and now Los Angeles. The latest album, 2016's Skiptracing, oozes with 60's pop influences and spaced-out guitars and keyboards; it also contains a confident musicality, influenced by baroque and jazz harmony. In interviews, Brettin has mentioned having formal music tuition, which likely informs his musicality, and he seems to use whatever equipment he has to hand, with many elements of his sound coming down to unconventional use of effects and sonic experimentation.Read More
'Chamber of Reflection' really stands out on 'Salad Days' as the only song with none of Mac's signature chorused-guitar playing, instead using layers of dreamy sounding, swirling synths. Interestingly the hook of this song is lifted from a 1975 Shigeo Sekito song called "The Word II". A lot of sites and comments erroneously refer to Mac sampling this song, which is incorrect as the original recording isn't used in 'Chamber of Reflection', the ending of the melody is different. Instead the main theme has been re-recorded with synths and a live rhythm section. Here's my recreation that I'll talk you throughRead More
Tycho started out as something of a solo project for bandleader Scott Hansen, and has since evolved into an ambient rock band whose signature sound consists of swirling pads, dreamy synth leads, and muted electric guitars, usually backed by live drums and bass guitar, all washed out with a saturated wall of reverb.
I'm going to talk about the synth lead in the song Awake from the album of the same name. Here's what we're going to end up with:Read More