Posts tagged guitar
Tame Impala Production Tricks

In just under a decade, Kevin Parker, the mastermind behind Tame Impala’s music, has formed a distinct sound that has captured the ears of music lovers all around the world. I, being one of them, found a keen interest in trying to figure out how Parker makes everything sound the way it does. After doing some research, I realised that trying to achieve this sound would be impossible without draining my wallet, until I noticed that many of the techniques used in Tame Impala’s songs can be done by simply manipulating effects in music software programs such as Ableton Live. Using these techniques, I managed to pull off some covers that could be associated with Parker himself. In this article, I will be using an original piece I made in Ableton to showcase the sounds of Tame Impala. 

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Deerhunter Guitar Sounds

Deerhunter are a psychedelic indie-rock band from Atlanta; they've released 7 albums that have seen them experiment with ambient music, garage rock and dream pop. They don't seem to be gear-heads, they favour cheap guitar pedals and record on Tascam portable eight-track recorders. However, there is one guitar pedal they use that I want to concentrate on, a pedal that strongly shaped the sound of the album Halycon Digest: the Eventide Pitchfactor. The Pitchfactor is a powerful harmonizer pedal, capable of harmonizing chromatically and diatonically, and capable of applying delays to the harmonized notes to create sequences. This Deerhunter sound is usually an acoustic guitar played through the Pitchfactor into a big, modulated reverb. Cox actually favours cheaper reverbs such as the DigiTech DigiVerb and Behringer Reverb Machine (no relation). Although the Pitchfactor is a deeply powerful pedal, and easily programmable, Cox actually just uses many of the factory presets to guide his songwriting.

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The Sounds of Eternal Sunshine of the Spotless Mind

Eternal Sunshine of the Spotless Mind came out in 2004 and is now regarded as one of the greatest films of the 2000s. A memorable aspect of the film is Jon Brion's soundtrack that combines lush strings, lo-fi nylon string guitars and melancholy piano. Brion's work on the soundtrack led to him working with Kanye West on the 2005 album 'Late Registration', where he providing the strings and brass arrangement, as well as co-producing and helping with the creative direction of the album. Additionally the soundtrack has had a big influence on indie and dream-pop bands as well as hip-hop artists, being directly sampled in several songs:

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