Posts tagged lo-fi
Beach House Keyboard Sounds

Beach House are a quintessential dream-pop band, they hail from Baltimore and a big part of their sound is their layering of keyboards, mostly vintage organs and string synths. The duo don't seem too fussy about the gear they use, instead relying on old, cheap organs for their beats. A Pitchfork article described their practice space: "Old tour set pieces and at least 20 vintage organs—they call them “grandma organs”—line one half of the large room." They don't talk about gear much in interviews and there are no pictures of the band recording, so it's tough to figure out exactly which keyboards these "grandma organs" are. Although organs are a big part of the Beach House sound, another huge factor that I won't cover as much is their muted drum beats and guitarist Alex Scally's work, which is mostly a clean Fender Strat played with a slide through a lot of reverb. Instead I'll focus on their synth heavy songs to work out what makes that element of their sound so unique.

Read More
Mac DeMarco - Chamber of Reflection Synth

'Chamber of Reflection' really stands out on 'Salad Days' as the only song with none of Mac's signature chorused-guitar playing, instead using layers of dreamy sounding, swirling synths. Interestingly the hook of this song is lifted from a 1975 Shigeo Sekito song called "The Word II". A lot of sites and comments erroneously refer to Mac sampling this song, which is incorrect as the original recording isn't used in 'Chamber of Reflection', the ending of the melody is different. Instead the main theme has been re-recorded with synths and a live rhythm section. Here's my recreation that I'll talk you through

Read More